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LAST UPDATE 2008-11-14
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Within parameters, Fankhauser works wonders
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The song writing is of a very high standard. A melodic joy.
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Philipp Fankhauser's "Watching From The Safe Side" is incredible!
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Fankhauser is a good, authentic singer, both soulful and strong when needed and very gentle at other times!
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"Too Little Too Late" I could definitely hear Robert Cray doing - Fankhauser delivers a convincingly aching vocal on an exquisitely arranged Soul song!
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Fankhauser is not adding anything new to the tree trunk, but he shapes his art well!
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No band in that genre has convinced and touched me as much since the early days of the Robert Cray Band!
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Down In The Valley gives an idea of how Fankhauser sounds in the live environment and very good he sounds too!
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The Blues music world is richer for "Talk To Me", don't miss it!
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Fankhauser doesn't sound the least bit like a visitor from Switzerland!
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A highly impressive CD from a guy way ahead of much of the competition!
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Philipp Fankhauser signs a world wide contract with the US label "Memphis International Records"!
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Philipp Fankhauser is the first Swiss Blues artist ever to appear at the world's largest Blues Festival on June 12 2004.
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NEXT SHOWS
Philipp Fankhauser
sam, 22.11.2008    22:30
INTERLAKEN
Goldener Anker
Philipp Fankhauser
fri, 28.11.2008    20:30
ORTSCHWABEN
Heubüni
Philipp Fankhauser
sam, 29.11.2008    22:30
GERSAU
Gersauer Herbst
BLUES REVUE, OCTOBER 2006 
CoverBluesRevue
Blues Revue October 2006
Philipp Fankhauser's "Watching From The Safe Side" is incredible!


To the list of exceptionally talented European blues artists, ad Switzerland's Philipp Fankhauser, whose Watching From The Safe Side (SonyBMG/FunkHouseBlues) is incredible.

Produced by Dennis Walker and featuring Richard Cousins on bass (both are crucial alumni of Robert Cray's career) and Alan Mirikitani (another West Coast regular) on guitar, Safe Side displays Fankhauser's impressive vocal, compositional, and guitar skills on the funky, minor-key "Blues ain't nothin'", which splits the difference between B.B. King and Albert King's '70s work; the title cut, an R&B ballad documenting a sojourn in America; and especially "Time Stands Still", which rivals Cray's "I've Slipped Her Mind" as the soul-blues ballad to beat.

Tom Hyslop, Blues Revue 


 
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